91% Silver Linings Playbook

All Critics (169) | Top Critics (42) | Fresh (153) | Rotten (16)

An edgy romantic dramedy that suits our anxious times.

This meaningful film keeps the laughs, giddy anxiousness and warm butterflies from the trailer and sustains it all through two full hours of a love story.

Lawrence, in her most high-low, sad-comic turn yet, is remarkable.

It shouldn't work - there's just too much going on. But it does. Spectacularly. Go see it.

Just about everybody in the cast of David O. Russell's strange and disturbing and deeply romantic new film has the chance to act with a capital A.

There's nothing wrong with the overrated Jennifer Lawrence that some serious acting lessons couldn't improve. The rest of the actors are pretty much on their own.

A tenderhearted tale about two terribly wounded souls who survive by grudgingly leaning on each other's shoulder.

Your best bet for a movie that will entertain you, make you laugh and maybe even make you tear-up.

Russell handles the shifts in tone extremely effectively, and has sacrificed little of his sardonic edge in crafting something this superficially accessible.

Funny without being glib, serious without being pretentious or depressing, this is a mature movie with fully realized characters and fine performances.

Cooper gives a fine performance in a difficult role, but the one who really shines is Lawrence. Beautiful and sexy, she should be up for awards for this one.

Silver Linings Playbook is really touching, and more memorable than all the rom-coms of 2012 put together.

The movie itself is bipolar, full of mounting tension and hilarity like a classic screwball comedy, but it's all just barely skimming above a deep layer of darkness.

Pat's rhyming relationship with Pat Senior makes the son (played by Bradley Cooper) different from the many other movie manboys you've seen in the past couple of years.

delivers the kind of sharply timed laughs that Sturges and Wilder would've appreciated

There's a lot to like here and with strong performances all-around, a fresh script with characters that sound and act real. Add this film to your essential Oscar viewing game plan.

Loaded with pleasant surprises, this adaptation of Matthew Quick's novel combines romantic comedy, dysfunctional family woes and a sense of danger without ever losing its way.

One hundred percent predictable, yet strangely kind of fun.

It's honest you see; and honestly, as any fule no, is the bedrock of any successful relationship whether it be between two homo fictives or an audience and their movies.

...recalls the screwball psychiatry of Russell's earlier efforts, only this time the farce has heart.

'Screwball' is a slang term for 'crazy,' and perhaps this is what inspired writer-director David O. Russell to literalize as well as update the screwball comedy genre here...

When you make a movie set in Philly, you'd better get it right. Knowledgeable Eagles' fans may find Russell's sense of history maddening.

Writer-director David O. Russell's out-of-control filmmaking style is perfectly suited to a romantic-comedy involving mental illness, and he infuses the film with a sparky unpredictability that's echoed in the perfectly graded performances of the cast.

Smart, funny, great performances

Indeed the movie does make you feel quite good about humanity as the final credits roll.

...ultimately unable to wholeheartedly become the feel-good romantic comedy that Russell has clearly intended...

Source: http://www.rottentomatoes.com/m/silver_linings_playbook/

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